Nirupam Nigam of Bluewater Photo and Underwater Photography Guide took the Sony A7S III underwater, leaving no color or detail behind.
1/125 · f/10 · ISO 320 · EF8-15mm f/4L Fisheye USM © Nirupam Nigam 2021
1/160 · f/22 · ISO 100 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/125 · f/13 · ISO 1250 · EF8-15mm f/4L Fisheye USM © Nirupam Nigam 2021
1/160 · f/22 · ISO 320 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/22 · ISO 320 · 105mm f/2.8 DG DN Macro © 2021 Nirupam Nigam
1/125 · f/18 · ISO 500 · EF8-15 f/4L Fisheye © Nirupam Nigam 2021
1/160 · f/22 · ISO 320 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/20 · ISO 200 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/125 · f/13 · ISO 2500 · EF8-15mm f/4L Fisheye © Nirupam Nigam 2021
1/125 · f/20 · ISO 320 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/20 · ISO 200 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/18 · ISO 200 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/125 · f/16 · ISO 320 · EF8-15mm f-4L Fisheye © Nirupam Nigam 2021
1/200 · f/2.8 · ISO 250 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/20 · ISO 200 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/160 · f/18 · ISO 200 · 105mm f/2.8 DG DN Macro © Nirupam Nigam 2021
1/125 · f/10 · ISO 320 · EF8-15mm f/4L Fisheye © Nirupam Nigam 2021
Nirupam Nigam is a dedicated underwater photographer and fisheries scientist. He is the Editor-in-Chief of the Underwater Photography Guide and the Marketing Director at Bluewater Photo. While growing up in Los Angeles he fell in love with the ocean and pursued underwater photography in the local Channel Islands. He received degrees in Aquatic and Fisheries Science and General Biology, at the University of Washington. Check out more of his photography at photosfromthesea.com and his reviews at uwphotographyguide.com and bluewaterphotostore.com!
Additional Reading
Sony a7S III Underwater Video Sneak Peek
The Right Lens for Every Situation Underwater
Super Macro Underwater Photography Techniques
Sony A7S III Features 4K/120p Recording and 15+ Stop Dynamic Range
Why You Need a Fisheye Lens Underwater